Dune: A Novel of a Future Universe is a science fiction novel set in a future universe.

Dune: A Novel of a Future Universe is a science fiction novel set in a future universe.

Dennis Villeneuve is the director.

Dennis Villeneuve, Jon Spaihts, and Eric Roth wrote the screenplay.
Based on Frank Herbert’s novel.

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Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Zendaya, Jason Momoa, Javier Bardem, and Stellan Skarsgrd star as Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Zendaya, Jason Momoa, Javier Bardem, and Stellan Skarsgrd, respectively.
It all began in the year 10191.

Greed, race dominance, invasion, colonization, cruelty, and deception continue to rule life in this future universe created by novelist Frank Herbert.

The film begins with a Caladan setting known as the “Homeworld of House Atreides,” which is a never-ending desert.


Of fact, the head of Caladan, Duke Leto of House Atreides (Oscar Isaac), has a ‘limit’ of authority.

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That is why Padishah Emperor Shaddam Corrino IV sent an emissary to Arrakis to order Leto to succeed House Harkonnen as the noble ruler.

Syahdan, Arrakis (or “Dune”) is a desert full of spices and herbs that are extremely valuable, not only for the survival of the universe’s living beings, but also because the spices can be converted into fuel for their vehicles. teleport between planets Consider how many valuable spices could be petroleum at the same moment. In this renowned work, Frank Herbert’s imagination has such force. Leto is enthusiastic about the assignment, but his son, future leader Paul Atreides (Timothée Chalamet), and his mother are suspicious of the Emperor’s motives.

Those who have read the classic book, which was initially published in 1965, would recognize that the “Dune” novel series impacted numerous novelists and science fiction films, particularly those that went on to become legendary Star Wars films.
Paul Atreides’ character definitely influences Luke Skywalker’s character.
The representation and visuals of the Star Wars universe, particularly how the planes and vehicles that we know can fly so quickly in the air, were influenced by the description of Frank Herbert’s six-volume novel.

However, the fate of each work is unknown.
In 1973, filmmaker Alejandro Jodorowsky purchased the adaptation rights to Frank Herbert’s novel “Dune” and created a stunning film starring Salvador Dali, Geraldine Chaplin, and David Carradine.

After all, what has been treated for years is no longer effective.
Instead, Jodorowsky’s labor of love was turned into a documentary called “Jodorowsky’s Dune,” which premiered at the Cannes Film Festival (2013).
The following version, directed by David Lynch and starring Kyle MacLachlan as Paul Atreides, was broadcast on television in 1984.
When we view Dennis Villeneuve’s rendition of “Dune,” it’s both ironic and fascinating to analyze.

We’re absolutely going to compare it to the Star Wars universe picture.
“Finding the identity of the Dune film is a long process, because our creative space is swamped by the Star Wars world,” Vilenueve said.
George Lucas was strongly influenced by the Dune novel when he built the Star Wars universe.

We’re now working on the film “Dune.”
According to the text, we must be able to bargain (with ourselves) with Star Wars’ effect.”
As a result, the first half of the film continues to focus on political matters, including the emperor’s betrayal of Leto, Paul, and their mother, who arrived to Arrakis with trepidation.
The attempted assassination of Paul Atreides on the way was the clearest sign that the invitation was a set-up.

Dennis Villeneuve, like his previous films, is a big fan of panoramas.
In his films, cinematography is never just a lovely gift for the audience; it becomes an integral aspect of the visual that tells the story in silence.
At one point, we’ll see how the travelers who have managed to flee the clutches of danger must overcome numerous obstacles, including the sandworm, a massive animal that hides in the desert and emerges unexpectedly in order to preserve the dignity and safety of Melange, the universe’s contested spice.

Villeneuve becomes engaged in his stunning visual creations in these scenes.
The sandworm not only resembles an animal, but also like a massive painting that fills the entire screen – which is why this film should be seen on the wide screen – and moves in a mass dance.

Not to mention the imagery of jets flying through the air, which we’ve seen before in the Star Wars saga but which is still incredible.
Finally, although if this film only appears in the second half of the novel, the supremacy of the golden desert and the people of Fremen who appear tall and fearless against the blue sky is one of Herbert’s important stories.

Villeueve’s pleasure in working on the painting “Dune” remains true to the story of Paul’s trip and inner turmoil: concerning his prophetic dreams, his mother’s situation, and his contradictory personality.

Timothée Chalamet captures this inner battle with care and clarity.
We still feel like Dune isn’t ended after seeing it for more than two hours, because the story of the Fremen tribe and the Chani character (played by Zendeya) will be more prominent in the sequel.

Despite the fact that this second picture has been out for a long time, it appears that the earlier version of “Dune” can be considered a tribute to novelist Frank Herbert, who has long dreamed of his world of fiction being properly adapted on the big screen.

Chudori, Leila S.

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